Withdrawing Room I (in progress)
oil on acrylic hemisphere
Interior/Exterior
2016
oil on acrylic bowls; LED lights
6” diameter opening; 14" x 14" x 7" box
Installation view at Eye2Eye exhibition at New York Academy of Art.
L’Orangerie
2016-2017
oil on four acrylic hemispheres installed with LED lights
18” diameter opening
Blueprint #1
4” x 4” x 3”
Blue pencil on hemisphere molded from polyester fiber & acrylic polymer; Extruded plastic filament (support structure)
2019
Symmetry/Asymmetry
2016
oil on acrylic bowl; LED lights;
17" x 14" x 7” box
Frailty, 2017, graphite and acrylic on two hemispheres hand-molded from polyester fiber and acrylic polymer, 4” diameter x 3” depth
Avarice
2017
oil on panel
9” diameter
Phoropter Triptych
2017
oil on 3 panels (3.5” diameter each); 10” x 20” acrylic box
oil on paper, 2.5 inches diameter, 2017
Nacre Voit
2017
oil on paper
3” x 3”
Contact
2017
oil on paper
9.5” x 6.5”
Volantes
2017
graphite and white chalk on toned paper
9" x 12"
Drawn from life (from the mirror) during my artist/teaching residency at Altos de Chavon in the Dominican Republic.
Pink Reign
2018
graphite and pastel on pink paper
11” x 14”
Albertree in May
2018
digital painting
Mom
2018
Render of Zbrush sculpt
Oil on Linen
5" x 7"
Oil on Linen
6" x 6"
Below are links to a series of blog posts detailing my process of painting this portrait of Tessa from life at the Ryder Studio in 2013.
1. Overview
2. First stages: Thumbnail Sketch, Poster Study, Preparatory Drawing
3. Intermediate stages: Stencil, Brush Drawing, and ColorWash
